A zoom review for two that opens a lot of conversation after watching a documentary about earlier times and Cyril Ramaphosa and the mines. From Underground to the Corridors of Power.
Have a look and listen at a new review style.
Production by Catherine White
Ongezwa Shosha goes on a journey searching for identity
It is said that through knowing where you come from, your history, roots, language and values, comes your identity. But what happens when a home you’ve been calling a home your whole life is not your home? Ikhaya or Casa (home) centers around redefining what a home and sense of belonging is. It starts off by asking questions: “Where do I belong? What do I call home? Is it the language I speak? Is it where I am accepted? Is it where I was raised? Or is it where I was born?”. These are some questions asked by 19 year old Eliana Nkembo, a young woman born to immigrant parents in a foreign country when talking about her identity.
The documentary shows that many factors including documentation and citizenship may hinder one’s chances of belonging and feeling accepted. Eliana Nkembo, was raised in South Africa when her parents moved from Angola and Congo. She finds herself in a position where she has no place to rightfully call home. (more…)
Catherine White is moved by a documentary exploring vulnerability
Forgive and forget? That is not easy but sometimes it can be an extremely powerful process. The Red Place is about – as the tagline puts it in a very poetic way- the colours of forgiveness. It’s an incredibly profound and relevant topic, particularly for South Africans. We are taken along a journey as director and scritwriter Muofe Raphunga speaks to various people who share their stories and their thoughts on forgiveness. Her interview with Albie Sachs, a former constitutional judge and anti-apartheid activist, was particulalry inspiring. (more…)
Khethiwe Shobede sees a film looking at questions of violence
No one can ever understand the depth of a mother’s love. Through thick and thin, troubles and pain, trials and tribulations, it never fades. A mother’s prayer is for her children to live a life they can all be proud of and a mother’s nightmare is for her children, in this case her son, being convicted for the murder of a young woman. The murder of Amy Biehl occurred in the pre-election violence of 1994. Mother to Mother, based in Gugulethu, Cape Town and directed by Sara Christina Ferreira de Gouveia, is based a one-woman play staged by Thembi Mtshali which explores the challenges of being the mother of the infamous murderer of Amy Biehl. (more…)
Michael Taylor reviews a film on cyber-cons in Ghana
Sakawa is an interesting, though ultimately underwhelming documentary film. It foregoes the traditional interviews and pieces to camera that one might expect from a documentary, instead focusing on an observational style of storytelling. We follow a group of young Ghanaian men and women as they attempt to make a living by scamming European and Americans through dating sites, phone calls and more. Lacking any narration, the question of whether the activities of these men and women is justified is left up to the viewer, which I do believe was the right decision on director Ben Asamoah’s part. The film shows the poverty of the area that these individuals have grown up in, and how they long for a better life. It also shows how exploitative some people can be towards those in less privileged positions. By the same token, the film never tries to pretend that what these people are doing isn’t unethical. We see these individuals combing through their target’s family photos, home addresses and other personal information with little concern as the con and coax them out of hundreds of dollars at a time. The film is quite explicit and does not shy away from the adult language and themes that one might expect from this kind of online activity. (more…)
Ongezwa Shosha reviews a doc that resonates
Who is deemed beautiful? What features should they have? The complex concept of skin colour as a beauty standard is much questioned yet still very dominant as a determiner of what is beautiful. With integration of brown skinned women in Hollywood movies and media, the concept of skin complexion is challenged as a normative standard of beauty.
In Brown Skinned Girl director Mona-Lisa Msime together with Monde Kawana and Constance Chiwaula share their stories of growing up with dark skin. With society’s perception of beauty as being fair skinned, they found themselves battling with low self esteem, often being called racist names and never fitting the accepted category of beautiful. (more…)